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The Divine Comedy: The Carlyle Okey Wicksteed Unabridged Translation, by Dante Alighieri
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The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wicksteed translation, with full notes.
- Sales Rank: #1205112 in Books
- Published on: 1955-07-12
- Released on: 1955-07-12
- Original language: English
- Number of items: 1
- Dimensions: 6.86" h x 1.42" w x 4.19" l, .90 pounds
- Binding: Mass Market Paperback
- 656 pages
Review
“The English Dante of choice.” –Hugh Kenner
“Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University
“A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University
From the Inside Flap
The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wicksteed translation, with full notes.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Divine..
By Charles Pinney
This version of the Divine Comedy contains all three sections, Inferno, Purgatorio, Paradiso. This poem is a masterpiece to be savored and surprisingly it's not as difficult to read as one might think.
Ample notes and diagrams are provided throughout all three sections, and before each Canto (Chapter) a synopsis is provided detailing what just happened and what is going to happen next. A very nice addition that will help in comprehension of the poem.
The descriptions of Dante's Hell, Purgatory and later Heaven are breathtaking. Each section can be read seperately and enjoyed as is but combined they provide a brilliantly realized journey.
14 of 14 people found the following review helpful.
One of the main sources of Western culture
By Guillermo Maynez
The all-encompassing mind of Dante has produced indeed one of the main sources of Western culture. It is a rich poem, full of interesting stories and commentary and which, like all true classics, can be read from different standpoints and has different dimensions. It tells Dante's travel to Hell, Purgatory and Heaven. Daniel Boorstin has called it "Adventures in Death". It is also one of the main bridges between the Middle Ages and the Renaissance. Like other works from this period, it mixes classical mythology and tradition with Christian history. The first evidence of this is the fact that although Dante travels to the Christian underworld, his guide is the Roman poet Virgil, no less.
Dante's work is thus multi-layered: it is an exploration of virtue and sin and their consequences; a profound criticism of the state of the Catholic Church at the time, attacking fiercely the institution of the Papacy and Boniface VIII in particular, for their corruption; a reelaboration of old Medieval themes; a bitter analysis of Italian and especially Florentine politics of his day, whose effects he so cruelly suffered.
During his trip, Dante meets and speaks with Biblical characters, Greco-Roman ones, and contemporaries of him. These people tell their stories and explain why they are where they are. Dante touches practically on all relevant and controversial subjects of his time, as well as many of our own. Although in any translation we miss the lyricism of his verse, we can still appreciate the quality and dignity of his writing.
It is not, of course, an easy reading. It is not "light" literature and it demands intelligent, cultivated and also demanding readers. But the reward is infinite. Dante's work has had any number of repercussions in subsequent culture. I think, for example, of Tchaikovsky's "Francesca di Rimini", based on one of the fascinating stories told to Dante in Hell, Purgatory and Heaven. Dante's images are powerful, terrorific in Hell and purely Divine in Heaven. His imagination is truly remarkable, in the way he describes the punsihments and rewards, as well as the characters and their situations.
Lose the fear and plunge into this greatest tour de force. It is really Dantesque.
23 of 24 people found the following review helpful.
A True Classic
By Jonathan Bennett
Dante, with the Divine Comedy, has produced a work that has endured for centuries and influenced many of the greatest Renaissance thinkers. This is quite a testament to his abilities. The Divine Comedy is divided into three basic sections: Hell, Purgatory, and Paradise. Dante begins his travels in hell. Guided by the Latin poet Virgil, he sees kings, monks, popes, and an assortment of other people, all of whom are tormented in ways fitting the level and type of their sins. After leaving hell, he continues to the mountain of Purgatory. Here he encounters those souls who must be purged of their sinfulness in order to reach heaven. Finally, he enters into Paradise, where the lovely Beatrice now guides him. He travels through the seven planetary heavens (an interesting note on the science of Dante's time) where he dialogues with the Saints, beholds the radiance and glory of the Triune God and is told the mysteries of Heaven. Dante presents his poem with vividness and great detail allowing the reader to comprehend the horrors of Hell and the otherworldly beauty of Paradise.
I particularly enjoyed reading about the many colorful people he encounters on his journey. It is interesting to see the people he puts in hell, purgatory, and paradise and to hear their stories. Many are famous historical figures. His comedy has many examples of allegory, prophecy and even theology. He tackles issues such as the Atonement, divine justice, and free will. The story includes many references to both classical pagan stories (e.g. Greek mythology) and Christian writings (e.g. Thomas Aquinas). The only downside (in my opinion anyway) is that Dante devotes too much time to philosophical discussions relating to Aristotle, who was popular with nearly every prominent medieval thinker. These discussions slow the pace of the poem at times.
This particular edition contains all three parts of the comedy and is unabridged. The low price is a plus too. It is in prose, although the language is pretty stilted. It uses "thees" an "thous," for example. This is not necessarily bad because it makes the story quite dignified, but some of the sentences can be very difficult to understand. Here is an example: "Thy kindliness not only succoreth whoso requesteth, but doth oftentimes freely forerun request." Fortunately, there are long introductions that summarize each chapter (canto) and numerous endnotes, which explain in detail the people, places, things, and ideas of Dante's work. Overall, I highly recommend the Divine Comedy to every reader, especially for those interested in medieval literature. Still, you may want to find another edition.
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