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The Artful Universe: The Cosmic Source of Human Creativity, by John D. Barrow
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In this eclectic and entertaining study of the interrelationship between the arts and the sciences, Barrow explains how the landscape of the Universe has influenced the development of philosophy and mythology, and how millions of years of evolutionary history have fashioned our attraction to certain patterns of sound and color.
- Sales Rank: #225689 in Books
- Color: Multicolor
- Published on: 1996-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .67" w x 5.98" l, 1.01 pounds
- Binding: Paperback
- 288 pages
- ISBN13: 9780316082426
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Review
`... thought-provoking and illuminating... a wide-ranging and imaginative tour de force... provocative and compelling nonetheless.' New Statesman and Society, 24 November 1995
`thought-provoking and illuminating ... a wide-ranging and imaginative tour de force ... provocative and compelling nonetheless' New Statesman and Society, 24 November 1995
`provocative book ... This is a stimulating book on being human beings conceived as advanced and advancing children of the universe ... it's a genuinely educational experience. A Big Bang of a book.' Alan Bold, Glasgow Herald
... The Artful Universe is full of good things. s
`...he has a real knack for clearly explaining and synthesizing disparate areas of science, and the book is a marvellous assemblage of recent research on topics such as ancient astronomy, the unique features of Earth in our solar system, the origins of language acquisition, and the perception of colour and sound.' Choice
`Relating the complexity of biological species to the complexity of the universe is likely always to be daunting but this author does very well indeed without resorting to mysticism, common enough nowadays. Thus he managed to unearth a number of phenomena which are rarely adduced to support his thesis. The history of technology is somehow incorporated and the whole is cleverly contrived to demonstrate how aesthetics is grounded in science.' Aslib Book Guide, vol.61, no.10, October 1996
About the Author
John D. Barrow is University Lecturer in Astronomy at the University of Sussex, England.
John D. Barrow is University Lecturer in Astronomy at the University of Sussex, England.
Most helpful customer reviews
19 of 19 people found the following review helpful.
The Cosmic Anthropological Principle
By Kristor J. Lawson
Barrow, of course, is with Frank Tipler the author of The Anthropic Cosmological Principle, which argues that the fundamental constants and initial conditions of the cosmos had to be more or less exactly as they are or life - thus our conscious, self-aware human life - could not have happened.
In The Artful Universe, Barrow explores in great and fascinating detail just exactly how the fine structure of the cosmos bears fruit in the structure of the human body, and in particular the structure of our ideas, preferences, values, aesthetic reactions, ways of thinking; our minds. The primary thrust of this wide-ranging survey is that animal minds and bodies subjected to natural selection are in big trouble if they embody propositions about the world, and therefore about the appropriate way to behave, that are in any important way essentially wrong. He argues that just as the structure of the eye constitutes evidence one way or the other for the correspondence to reality of our ideas about light, so the structure of, e.g., our mathematical faculties constitutes evidence for the mathematical structure of reality.
Barrow is terrifyingly erudite, and a clear, graceful writer. He manages to convey boatloads of highly technical concepts from numerous fields in crystalline arguments accessible to anyone with a basic scientific education. You will learn a ton from this book. You'll work for it - Barrow never condescends - but you will be well rewarded.
10 of 12 people found the following review helpful.
No mind was ever a tabula rasa
By Luc REYNAERT
John Barrow illuminates in this book the relationship between the sciences and the arts with a new perspective on our emergence in the Universe by means of natural selection.
As the philosopher Victor Zuckerkandl says (quoted in this book): 'Art does not aim at beauty. It uses beauty (or ugliness) to arrive ultimately at knowledge, at truth.' (as science)
Many natural adaptations have given rise to curious by-products, some of which have played a role in determining our aesthetic sense.
Although sometimes very tentative, this rich book sheds an insightful light on more or less hidden links, like
- the connection between the heavenly bodies and the pattern of life on earth (28 days)
- the importance of symmetry: living beings are symmetrical, which is rare for inanimate objects. Also, our evaluation of physical beauty focuses on symmetry.
- size as a key to survival, with the adage 'small is best'. 'The Almighty had an inordinate fondness of beetles.'
- the origin of painting: a natural outgrowth of the fallibility of human memory and the need to communicate. Also, the reason why we like savannah landscapes and not computer paintings because they seem unnatural.
- the Chomsky (innate patterns) / Piaget (blank slate) controversy on the origin of language
- the origin of literature: the craving for social cohesion and well-being met by oral history and stories in which the hearers appear in a leading role. More, 'The pen is mightier than the sword.'
- the origin of dance: a need for frenzied activity or heightened sensibilities in preparation for war, in celebration of fertility or birth or in mourning death. The rhythmic gyrations of primitive dance bind people together.
- the origin of music (the purest form of art): animal mating calls.
John Barrow explains clearly the relationship between music and mathematics as well as theories on mathematics (Platonism, intuitionism, inventionism, formalism) and music (absolutism and referentialism).
This book is an excellent exploration of a vast and very interesting human domain. Not to be missed.
16 of 21 people found the following review helpful.
An interesting if wordy detail of the "human connection"
By k9lin@wenet.net
The first half of the book was interesting and kept my interest enough to read every word and scrutinze every example. However, by midway, the author's points became labored and needlessly exhaustive.
I guess it took me about half the book to find out what his general points were going to be. To me the book made connections between the nature of the universe and all things (particularly humans) in it.
I really wanted to closely scrutinize the chapters on sound (I am a musician and scientist). Unfortunately, by that last third of the book, I was too fatigued by the writing style. I ended up reading a few paragraphs in each section and skimming the rest, knowing (or making a logical guess) about the rest of the material. The author's basic points had already been made.
Furthermore, I felt unsatisfied by the author's overall treatment of art (particularly music). I was hoping for something more "insightful." It seems somehow self evident that particular sights and sounds are "appealing" to us given our physiology, evolution and their relationship to the nature of the universe itself. These arguments seem like tautologies; We like what we like because we are who we are. In the end, this isn't very interesting. On the other hand I could plead guilty to expecting too much.
There is more to art and music than meets the direct senses. When you try to explain what is "more" about music, you lose the meaning. Maybe the lesson is to just play the music and let it speak for itself. If the author was trying to make this point (indirectly) it is now very well taken. It's better to explain the beauty of music with selections of Joco Pastorius...
Finally, I thought the book was in places too human centric. Clearly books are intended to be read by humans. But I thought some of the author's points of view bordered on saying human animals were somehow more "important" than others. The universe doesn't make conscious choices to anoint one animal over another. Those evaluations are (too often, unfortunately,) made by us, not nature. Free will does exist.
Given these points, I do think the book was worth reading and might even be suitable for a seminar. I took about 4 days to read the book, but maybe should have taken more time. Anyway, at best, I think this book is worth 3 stars; Not bad, not great, but worth reading and discussing with others.
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